William Goldstein Composer

William Goldstein

Composer


...(Recording First Impressions)

At the age of nine his prodigious talents brought him to Columbia University; in 1975 he was discovered by Berry Gordy, who brought Mr. Goldstein to LA under contract to MOTOWN , as a recording artist / composer and producer. At the same time, interestingly enough, Mr. Goldstein was finishing a commission for a Bicentennial work, CELEBRATION OVERTURE 1776-1976, which was performed by the National Symphony Orchestra in May of 1976.

After scoring all the episodes of NBC's FAME series, Mr. Goldstein added the world of computer electronic music to his pop, and orchestral experience.

He quickly achieved prominence as an innovator of New Technology , creating the very first completely computer sequenced direct to digital score for Guber/Peters' oceanQuest in 1985. CBS Masterworks released the CD under the title OCEANSCAPE. He later created the score for Sierra-on-line's KING'S QUEST FOUR, the first interactive computer game with a full blown musical score; the result was a revolution in the computer game industry that has thus far sold over 1,000,000 games!

.... (William with Debbie Allen on the Fame set....MGM publicity photo)

In addition to scoring assignments with such film makers as John Avildsen, John Badham, Rob Cohen, Peter Guber, Wes Craven, and Frank Perry; William Goldstein's career has simultaneously included such multifarious activities as a recording artist / composer / producer for such diverse labels as the previously mentioned MOTOWN and CBS MASTERWORKS. His Concert Scores have been performed from Carnegie Hall to Symphony Hall, Boston.

....(CTS Studios, London 1980's)

He has gained a reputation as a unique keyboard improviser, spontaneously improvising complete scores, in real time, to films that he is seeing for the first time in concert. He has also astonished audiences by improvising short ballets, interacting with dancers of international renown. His Master Class on Improvisation and the creative process has been motivating young musicians, dancers, film makers and writers for over ten years. ( Read the Los Angeles Times review of Goldstein Improvising a Ballet )


View a Master Class Piano Improvisation

A video interview with Dancer Qi Zhang from the DVD Of The Moment

...... see an Improvised Ballet with Qi Zhang from the DVD Of The Moment

...... see a 2nd Improvised Ballet with Qi Zhang and her beautiful red fan from the DVD Of The Moment


....(Prior to the Skirball concert)


In addition to his professional activities in music and film, Mr. Goldstein has become a founder of the Museum of Contemporary Art in Los Angeles, a director of the California State Summer School for the Arts, and is a member of both the music branch executive committee of the Academy of Motion Picture Arts and Sciences, as well as its foreign language committee. He has also been a "visiting artist" for the Academy, lecturing from the Far East to the Middle East on contemporary aesthetics as well as music in film.



Making Art Passionately

A stimulating essay on contemporary aesthetics, published in the Los Angeles Times, that challenges artists, critics and patrons.



Final Stages

The Sunday New York Times publishes Goldstein's reflections on the need to revitalize the economic basis of the Broadway Theater.





RECENT PROJECTS





Heading for Broadway


....Freedom's inspiring triumph over prejudice and bigotry. An American story that reminds us that "Freedom isn't free"

......See excerpts from Haven















The Walt Disney remake of

The Miracle Worker

.........William Goldstein's music accompanies the plot elegantly........




(Goldstein recording The Miracle Worker score with director Nadia Tass)




Creation of

ABC TV's Millennium Theme

promoting ABC's innovative WorldWide 2000 Millennium coverage
Click here for the MP3 recording

( Mr. Goldstein also created the ABC BICENTENNIAL Theme in 1976 )



RECENT DISCOGRAPHY


FIRST IMPRESSIONS emotionally connective impromptus of life / NEW GOLD MUSIC*


Since its release in March 1999, Mr. Goldstein's long awaited solo piano CD, is receiving airplay on classical, new age and crossover radio stations around the country.
Hear A Paris Thing, an MP3 excerpt from the First Impressions CD
Hear Daydreams, an MP3 excerpt from the First Impressions CD

Read more about First Impressions!


MIRACLE AT MIDNIGHT / NEW GOLD MUSIC*




A TRIBUTE TO JACQUES COUSTEAU / NEW GOLD MUSIC*





ZOYA / NEW GOLD MUSIC*

Hear a track from the CD & see an excerpt from ZOYA


THE QUARREL / NEW GOLD MUSIC*

SHOCKER / VARESE-SARABANDE*

HELLO AGAIN / NEW GOLD MUSIC*

SAVING GRACE / NEW GOLD MUSIC*

SWITCHED ON CLASSICS / PROARTE

SWITCHED ON HOLLYWOOD / CINEDISC

LIBERTY / CITADEL / VARESE SARABANDE

OCEANSCAPE / CBS-FM / MASTERWORKS

*distributed by M.I.L Multimedia & Big Daddy


Check out these Video and Sound Files.


See a Movie excerpt from A Connecticut Yankee in King Arthur’s Court

See a Movie excerpt from Danielle Steel's ZOYA



Goldstein & Technology

Entertainment Tonight & The Los Angeles Times.........



A.O.S. (Advanced Orchestral Synthesis)

...(New Gold Studios, Los Angeles 1998)

In 1985 William Goldstein quickly achieved prominence as an innovator of new technology by creating the very first completely computer sequenced direct to digital (no tape) score for the Guber/ Peters mini series oceanQuest. CBS Masterworks released a CD of the score under the title OCEANSCAPE.

A.O.S.,which Mr. Goldstein pioneered, has evolved thru such scores as oceanQuest, Hello Again and Shocker. His current projects are now benefiting from this highest level of orchestral emulation. A.O.S. allows for a transparency, nuance, and complete fluidity of transitions within a score. This creates an emotional response that previously has only been possible with a live orchestra. While some timbres are identical to what we have come to expect from a "real" orchestra, and some may be perceived with slight colorazation, the emotionality and sense of humanity that comes across with a totally live ensemble is retained.

"This is an exceptionally well recorded score, (said the dubbing mixer to Mr. Goldstein) I didn't hear even one chair squeak!" "That's because I didn't record any chairs," replied the composer. Using A.O.S, The Quarrel was awarded the prestigious Dame Judith Anderson Best Feature Film Award at the Santa Barbara International Film Festival.

Mr. Goldstein’s recent scores including Zoya, Miracle At Midnight, and The Miracle Worker have been created with large orchestras.


We'll Be Alright!

Is a timeless and inspirational reminder that we need always remain positive in the most difficult times. It is also a tribute to the victims of 9/11 and reminds us that there has always been a price to be paid to insure that our values endure (Click on the title to see and hear).


Film & TV Credits

Concert and Classical Works

Order Available Soundtracks

Master Class

Send him Email


Check out these Links:


The most all encompassing High School summer arts program in the world! CSSSA

My Favorite sequencing software is Sonar

For Audio & Video Production, For making CD's & DVD's I love Sony Media Software

The Quickest way to make rhythm tracks is with Jammer from SoundTrek

The interface between my music and my computer is the Unitor8 from Emagic

When on the road, I rely on my Toshiba Portege R500 for all of my multimedia, music & film production computing Toshiba Portege

For the rental or purchase of my concert scores go to Theodore Presser


Site updated February 23, 2008


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